Two Pioneers of Nativist Ink Painting in Taiwan: Yuan Chin-Taa and Hung Ken-Shen
出版日期：
2023-11-30
刊登日期：
2023-11-30
編著者：
Aida Yuen Wong/ 阮圓
頁碼：
94
內容：
摘要
本文以臺灣藝術家袁金塔（1949 年生）和洪根深（1946 年生）為研究主體，兩位透過各自獨特的水墨語彙表現出臺灣藝術與文化的混合性，藉由作品對於現代生活的去人性化提出強烈批判。研究同時提出兩位藝術家數十年的創作過程中的主要畫作，探討「鄉土運動」以及「鄉土寫實主義」在台灣現代藝術中所扮演的角色。
關鍵詞：水墨畫、臺灣、現代主義、鄉土寫實主義、鄉土運動、高雄、環境汙染、邊緣性
Abstract
This essay focuses on two Taiwanese artists, Yuan Chin-Taa (Yuan Jin-Ta 袁金塔, b. 1949) and Hung Ken-Shen (Hong Gen-Shen 洪根深, b. 1946), whose ink language, each in his own way, embodies the artistic and cultural hybridity of Taiwan. Permeating Yuan Chin-Taa’s and Hung Ken-Shen’s oeuvres is a fierce criticism of the dehumanizing aspects of modern life. The study presents key paintings made by each artist over the course of several decades. It also discusses the Native Soil Movement and the role of nativist realism in the modern art in Taiwan.
Keywords: Ink Painting • Taiwan • Modernism • Nativist Realism • Native Soil Movement • Kaohsiung • Environmental Pollution • Marginality